Born on an autumn weekend in a garage studio using a Mac computer-generated drum loop, the minimalist dance-pop opus Can’t Get You Out of My Head would go on to define Kylie Minogue’s career. Twenty-five years later, music writer Michael Cragg looks back on the dance tracks legacy and longevity.
Futuristic escapism: Released in the wake of the 9/11 terror attacks, Can’t Get You Out of My Head seemed to become a “hypnotic balm” for a world trying to make sense of things as the global “war on terror” dominated headlines.
Notable quote: “I really do believe that (Osama) Bin Laden and Kylie represent the polar opposites of human nature; the first all about cruelty without beauty, the second all about beauty without cruelty.”
Posh v Kylie: Back in the early 2000s, music fans were “obsessed with chart battles”, often pitting female songwriters against each other. On the same day Can’t Get You Out of My Head hit the airwaves, Victoria “Posh Spice” Beckham was ready to release her own lead single from her debut solo album. Kylie would emerge victorious, beating out Posh whose Not Such an Innocent Girl came in at No 6 on the charts.
How long will it take to read: About five minutes. Enough time to spin Can’t Get You Out of My Head (three minutes and 50 seconds) at least once.
Further reading: Kylie’s 30 greatest singles, and a refreshingly raw and real encounter with the songwriter.
|