My week: fearing for the future of humanity, while delighting in the past of the 7 Up cast | The Guardian

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Supporters of the assisted dying bill outside parliament as they hear it was rejected by MPs, London, 11 September 2026.
19/09/2026

My week: fearing for the future of humanity, while delighting in the past of the 7 Up cast

Polly Toynbee Polly Toynbee
 

Hello, I’m Guardian columnist Polly Toynbee. This week, death is in the air and on my mind. Tributes keep rolling in for Dolly Parton and Gloria Steinem, leaving an ache for those of us left in a world without them, especially women. And I’ve been to the cinema to escape from the news that’s getting me down.

What I’ve been thinking about

MPs in the House of Commons during the debate on the assisted dying bill, London, 11 September 2026.
camera MPs in the House of Commons during the debate on the assisted dying bill, London, 11 September 2026. Photograph: UK Parliament TV

The defeat of the assisted dying bill was a calamity. How did it happen? It was an accident – not, as opponents claim, a sudden conversion by MPs to the Christian lobby. Andy Burnham’s letter to Labour MPs saying he would abstain may have had a deterrent effect on toadies, some campaigners believe. A number of MPs claimed they had vital constituency meetings to attend instead of voting – no excuse. Some were on a Ukraine delegation. One was getting married. Petty arguments between campaigns as to who should get the credit (ha!) prevented them sharing information so they could count the MPs in favour. Some went to great lengths to be there, including changing flights, but others didn’t: the vote was lost by only 16, with (as far as I can tell) a majority still in favour, but not enough to turn up.

As Andrew Copson of Humanists UK says, there never should have been a second vote: the small group of filibusterers in the Lords got away with a constitutional disgrace. The government should have adopted this bill.

Thanks in part to no-show MPs, anyone near death must endure, despite the bill’s strong public support. The Commons after the next election may move rightwards, even if the left bloc stays in power, so the outlook for progressive reform is grim. This goes down as a dark day for Labour.

How unlike the heroic Wilson government that reformed abortion, capital punishment, gay rights, divorce, equal pay and more, all between 1964 and 1970. Labour has three years left now, so what could the party still achieve? Electoral reform, capping donations, abolishing the House of Lords?




The prospect of AI wiping out humanity by 2030 is so petrifying that you look away and think of something else. AI owners warn us – but Trump says carry on regardless. I think of my four children and seven grandchildren, and I can’t breathe. This week, OpenAI revealed that its model had given itself “jailbreak-like instructions”, setting itself free from safety restrictions. How to understand it? How to take action? What do we do?

I’ve been escaping to the movies to try to forget about it all. De Gaulle: Résistance is terrific, and it’s great to see the second world war through French eyes, rather than British or American ones. Nor is it unduly French-triumphalist. The awkward, proud, brave, gawky hero, both noble and comic, is abandoned by his unvaliant officers and diplomats in London. They don’t share his belief in the free French platoons (where my mother worked serving them beer).





Death comes this way too with the likelihood of a “super” El Niño’s severe storms cutting off emergency services and knocking out energy, water and internet. Prep, advises the environment secretary, Angela Eagle. Take survivalist action, save tanks of water, torches, batteries, food for a week. So, half-heartedly, I add some more tins and a flagon, in case.

It’s nothing new. All my childhood and teenage years I expected nuclear apocalypse. My father kept a tall jar of suicide pills to kill us all before the strontium-90 did. “Protect and survive,” said the civil defence leaflet. Hide under the stairs. We knew every word of the CND song: “Don’t you hear the H-bombs thunder, echo like the crack of doom / While it tears the world asunder, fallout make the Earth a tomb.” Now, madmen in the Kremlin or White House look safer than nuclear weapons controlled by unimaginably clever AI turned hostile.

What I’ve been up to

Suzy, left, with Claire, one of the producers of 70 Up, the last in the 7 Up series, which began in 1964.
camera Suzy, left, with Claire, one of the producers of 70 Up, the last in the 7 Up series, which began in 1964. Photograph: ITV/Nick Wall/Shutterstock

What I’m watching | Goodbye to the 14 dear children of 7 Up, which began in 1964 and has been filmed every seven years since. Now they are 70.

Their tales mirror the social facts: birth has been destiny for most. John of Westminster school and Christ Church, Oxford is a king’s counsel. Artful dodger Tony, who failed as a jockey, is a London taxi driver. Bucking the odds, admirable Symon from a children’s home grew up to foster 120 children with his wife.

Birth is now an even stronger social destiny than it was for the generation entering the world or workforce in 1964. Our social mobility is at its lowest in more than 50 years. Would a new 7 Up starting now tell a different story in 70 years’ time? That is, if humanity has survived.

What I’m plagued by | A daily phone scam: “This is a call from the immigration department. Please don’t miss it again to avoid losing important information.” It does me no harm – the Toynbees of the Danelaw (possibly) arrived in dragon ships, not rubber dinghies. But think how frightening that is for anyone whose parents – or parents’ parents, for that matter – aren’t from here amid daily threats of remigration. No rights to remain feel solid now.

What is giving me joy | The tree at my window bounces with baby squirrels, something I’d never seen. They are nimble, but not yet enough to risk their parents’ reckless leaps on to my roof from their nest (for some reason officially a “drey”) inside the ivy. London’s green slivers of nature are worth more in raising the spirits than whole acreages in the country.

 
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From the rest of the team

Blanche Williams as Grandma and Mark Rylance as Pastor Blake in Tartuffe (Remixed) at London’s Marylebone theatre until 24 October.
camera Blanche Williams as Grandma and Mark Rylance as Pastor Blake in Tartuffe (Remixed) at London’s Marylebone theatre until 24 October. Photograph: Mark Senior

At a play, at a concert, at any live event, I always find the experience enhanced by the feeling that the performers are also enjoying themselves. And so it was at the Marylebone theatre in London where an ensemble cast led by Mark Rylance seemed to be having a high old time with the gags and slapstick throughout Tartuffe (Remixed), the reworking of Molière’s 1664 salvo against the Catholic church, updated to depict a dodgy Anglican clergyman preying on a group of Nigerians and Jamaicans. Like panto dipped in acid. Little wonder the original drove that Pope to apoplexy. Hugh Muir, executive head

This summer, I treated my husband to a one-day pottery throwing class, so we’re watching the new series of The Great Celebrity Pottery Throw Down with the zeal of the newly expert. Picture us on our sofa shouting at celebrities, “Elbows!”, “You’re not centred!” and “Compress your base!” We’re picking either Layton Williams or Richard Herring for the win. Katy Guest, deputy editor

Naomi Klein and Astra Taylor’s new book, End Times Fascism, is essential reading if you want to understand the perilous political moment we are living through and what to do about it. Kirsty Major, deputy editor

I went to see two short films by the American artist Martine Syms at the Sadie Coles gallery. I loved watching The African Desperate, her brilliant comic feature film about a young woman trying to graduate from art school while ridiculously high, and loved these two films which deal with similar themes of hedonism, friendship and obsessive behaviour. John-Baptiste Oduor, freelance editor

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